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Tag Archives: Screenwriting
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Oklahoma
It’s a place. It’s a musical. It’s the site of a horrific slaughter. Stay with me. *Spoilers ahead* Damon Lindelof’s Watchmen is special. If you’re familiar with the 80s graphic novel by Dave Gibbons or the near-exact retelling in Zack Snyder’s ’09 film, then you can appreciate the brilliance of […]
Debating the Deaf
Ever have an argument about something that was an obvious reality to you but completely wrong in the eyes of the other party? Your opposing debater refuses to recognize your perspective for no valid reason at all? Almost as if they chose to be intentionally difficult or perhaps even had […]
The Good, the bad & the Ugly Middle
The toughest thing about creating a compelling character is making them believable. Three-dimensional. Even conflicting in their behaviors. To achieve this, you have to be careful with absolutes. To be human is to be inconsistent. What we believed at age 10 is different than what we believe at 20, & […]
The Hits Keep Coming
Chuck Lorre is one of the greatest creator-writers in American television history. His rise to the top over the past 30-plus years has come by way of hit after hit, each moving with the times, yet staying the same at their cores. In lieu of the end of one era […]
Halftime Switch
Total direction changes are a risky storytelling device. Any writer who does this is basically asking the reader/audience to give up everything they have learned & experienced about the world of the characters they’ve followed to this point and accept that we are now going in a completely different direction. […]
Suiting Up
It’s safe to say cosplay has emerged as the ultimate platform to celebrate the Superheroes & baddies from the creative worlds of cinema, TV & panel-print. I’ve long admired those who so lovingly & painstakingly invest their time & money into imitating the characters that have added something notable to […]
Revamp & Redux
For a while there, despite the formulaic designs & structures they all ascribe to, television seemed to emerge as the new realm of ‘creative’ filmed entertainment. While most films playing in the local multiplexes were –& are still –sequels, prequels, reboots & continuums, the television explosion became a real thing. […]